Franz Doppler, Wolfgang Schulz, キンボー・イシイ=エトウ, カメラータ・シュルツ's '2本のフルートのための協奏曲 ニ短調: I. Allegro maestoso' came out on 2012. Since 2本のフルートのための協奏曲 ニ短調: I. Allegro maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ライネッケ、ドップラー、ニールセン:フルート協奏曲集, so we believe that "2本のフルートのための協奏曲 ニ短調: I. Allegro maestoso" is a single. In terms of popularity, 2本のフルートのための協奏曲 ニ短調: I. Allegro maestoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2本のフルートのための協奏曲 ニ短調: I. Allegro maestoso by Franz Doppler, Wolfgang Schulz, キンボー・イシイ=エトウ, カメラータ・シュルツ is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Duo for 2 Flutes in G Major, WoO 26: I. Allegro con brio | Ludwig van Beethoven, Emmanuel Pahud, Silvia Careddu | C Minor | 0 | 5A | 77 BPM | ||
Spartacus Ballet Suite No. 2: II. Entrance of the Merchants, Dance of a Roman Courtesan, General Dance | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 5 | 8B | 83 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Mendelssohn: Concert Piece No. 2 in D Minor, Op. 114, MWV Q24: I. Presto | Felix Mendelssohn, Sabine Meyer, Wolfgang Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 116 BPM | ||
24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
Mazurka de Salón, Op. 16 | Franz Doppler, Claudi Arimany, Alan Branch | A Minor | 1 | 8A | 137 BPM | ||
Introduction and Rondo Capriccioso, op. 28 | Denis Bouriakov | A Minor | 1 | 8A | 130 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
25 Études faciles et progressives, Op. 100: No. 12, Adieu | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 72 BPM | ||
Trumpet Concerto: Finale | Prague Chamber Orchestra, Guy Touvron | D Minor | 1 | 7A | 95 BPM |
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