"Come Let Us Pity Not the Dead" by Geoffrey Burgon, Wells Cathedral Choir, Alan Thomas, David Bednall, Matthew Owens was released on November 1, 2006. With this song being about 5 minutes long, at 5:14, "Come Let Us Pity Not the Dead" by Geoffrey Burgon, Wells Cathedral Choir, Alan Thomas, David Bednall, Matthew Owens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 18 in Burgon: Nunc dimittis, Short Mass & Other Choral Music by Geoffrey Burgon, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Come Let Us Pity Not the Dead is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come Let Us Pity Not the Dead by Geoffrey Burgon, Wells Cathedral Choir, Alan Thomas, David Bednall, Matthew Owens is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Short Mass: II. Gloria | Geoffrey Burgon, Chichester Cathedral Choir, Alan Thurlow, Guy Willatt, Jacob Hamon | A Minor | 0 | 8A | 93 BPM | ||
Bleak House - Dedlock Versus Boythorn | Philharmonia Orchestra, Geoffrey Burgon | C Major | 1 | 8B | 78 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Burgon: This Ean Night | Geoffrey Burgon, James Bowman, Charles Brett | D Major | 0 | 10B | 72 BPM | ||
La vita è bella: La vita è bella | Nicola Piovani, Trio Schau, Tommaso Lega, Edoardo Lega, Pier Filippo Barbano | D Major | 2 | 10B | 129 BPM | ||
Wallfisch: Painting | Yuja Wang, Benjamin Wallfisch | C Major | 0 | 8B | 88 BPM | ||
Greensleeves | Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker | C Minor | 1 | 5A | 80 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM |
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