"Sonata for Cello and Piano in B-Flat Major, Op. 71: I. Andante molto sostenuto" by Dmitry Kabalevsky, Camille Thomas, Beatrice Berrut was released on June 3, 2013. Sonata for Cello and Piano in B-Flat Major, Op. 71: I. Andante molto sostenuto appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Rachmaninoff, Kabalevsky & Auerbach: A Century of Russian Colours". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Belgium. Sonata for Cello and Piano in B-Flat Major, Op. 71: I. Andante molto sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Cello and Piano in B-Flat Major, Op. 71: I. Andante molto sostenuto by Dmitry Kabalevsky, Camille Thomas, Beatrice Berrut having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise No. 6 in A-Flat Major, Op. 53, "Heroic" | Frédéric Chopin, Idil Biret | A♭ Major | 2 | 4B | 76 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 68 BPM | ||
La gallina (The Hen), Op. 53 | Louis Moreau Gottschalk, Cecile Licad | E♭ Major | 0 | 5B | 115 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Oboe Concerto in D Major TrV292: I. Allegro moderato - Live | Richard Strauss, Ensemble of Tokyo, Satoki Aoyama | D Major | 2 | 10B | 104 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 3. Rondo (Allegro) | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 97 BPM |
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