Silvius Leopold Weiss, Virginio Fadda made "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): V. Bouree" available on February 1, 2015. The duration of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): V. Bouree is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): V. Bouree's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 13 out of 24. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): V. Bouree is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): V. Bouree by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 90 BPM | ||
Sonata No. 18 in G Minor, FbWV 618: IV. Gigue | Johann Jakob Froberger, Enrike Solinís | F♯ Minor | 1 | 11A | 76 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
Chaconne in D Major, WeissSW 2 No. 10 | Silvius Leopold Weiss, José Miguel Moreno | A Major | 1 | 11B | 143 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM |
Section: 0.45242857933044434
End: 0.4558250904083252