Xavier Montsalvatge, Montserrat Caballé, Alexis Weissenberg's 'Cinco Canciones Negras: Punto de Habanera (N.Lujan)' came out on March 23, 2009. With Cinco Canciones Negras: Punto de Habanera (N.Lujan) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Montserrat Caballé's "Icon: Montserrat Caballé" album is number 16 out of 54. Cinco Canciones Negras: Punto de Habanera (N.Lujan) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cinco Canciones Negras: Punto de Habanera (N.Lujan) by Xavier Montsalvatge, Montserrat Caballé, Alexis Weissenberg to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Variations on a Hungarian Peasant Song, Op. 4 | Miklós Rózsa, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
Perimplinada (version for piano): IX. Andantino ritmico | Federico Mompou, Xavier Montsalvatge, Jordi Masó | G Major | 1 | 9B | 122 BPM | ||
Respighi: Gli uccelli, P. 154: II. La Colomba | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 170 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM |
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