"Requiem in C Minor: Sequence" by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster was released on May 25, 2010. Requiem in C Minor: Sequence appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Salieri: Requiem". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Requiem in C Minor: Sequence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in C Minor: Sequence by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Tu sai, Germana amata: No. 2, Secondate i nostri affetti | Antonio Salieri, Diana Tomsche, Esther Valentin, Heidelberg Symphony Orchestra, Timo Jouko Herrmann | A Major | 1 | 11B | 80 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
La grotta di Trofonio: Sinfonia | Antonio Salieri, Consortium Classicum | B♭ Major | 1 | 6B | 126 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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