"Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso" by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin was released on October 7, 2022. With this song being about 5 minutes long, at 5:14, "Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso" by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 58 out of 140 in Franz Liszt - A Monument of Classics by Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
12 Lieder von Schubert, S. 558: Schubert - 12 Lieder, S. 558/R. 243: No. 12, Ave Maria | Franz Liszt, Valerie Tryon | G Major | 2 | 9B | 177 BPM | ||
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 67 BPM |
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