Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace
Ludwig van Beethoven, Josef Hofmann, Philharmonic Symphony Orchestra, Dimitri Mitropoulos
Beethoven, L. Van: Piano Concerto Nos. 3 (Rubinstein, Ormandy) (1943) / Piano Concerto No. 4 (Hofmann, Mitropoulos) (1943)
9:15 April 1, 2011
BPM
79
Key
A♭ Major
Camelot
4B

Embed

Share Link

Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace - Ludwig van Beethoven, Josef Hofmann, Philharmonic Symphony Orchestra, Dimitri Mitropoulos Information

Acousticness
96%
Danceability
12%
Energy
3%
Instrumentalness
97%
Liveness
30%
Loudness
49%
Speechiness
4%
Valence
3%
Popularity
Loudness
-30.726 dB

Summary

"Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace" by Ludwig van Beethoven, Josef Hofmann, Philharmonic Symphony Orchestra, Dimitri Mitropoulos was released on April 1, 2011. Since Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Beethoven, L. Van: Piano Concerto Nos. 3 (Rubinstein, Ormandy) (1943) / Piano Concerto No. 4 (Hofmann, Mitropoulos) (1943) by Ludwig van Beethoven, Various Artists, Eugene Ormandy, Dimitri Mitropoulos. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace BPM

The tempo marking of Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace by Ludwig van Beethoven, Josef Hofmann, Philharmonic Symphony Orchestra, Dimitri Mitropoulos is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Piano Concerto No. 4 in G Major, Op. 58: III. Rondo: Vivace Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterE♭ Major05B100 BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) by Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsBoccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsA Major011B85 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered by Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraPiano Concerto in A Minor, Op. 16: II. Adagio - RemasteredEdvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraD♭ Major03B86 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Orfeo ed Euridice: Melody (arr. G. Sgambati) by Giovanni Sgambati, Christoph Willibald Gluck, Jura MargulisOrfeo ed Euridice: Melody (arr. G. Sgambati)Giovanni Sgambati, Christoph Willibald Gluck, Jura MargulisD Minor07A71 BPM
Trio n°3, Op. 1: IV. Finale prestissimo by Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel DayezTrio n°3, Op. 1: IV. Finale prestissimoLudwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel DayezD Minor27A88 BPM
Sonata in E Major, K. 380 by Domenico Scarlatti, Khatia BuniatishviliSonata in E Major, K. 380Domenico Scarlatti, Khatia BuniatishviliB Major01B84 BPM
Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaCarmen Fantasy, Op. 25: I. ModeratoPablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaD Major110B89 BPM
Violin Romance No. 1 In G Major, Op. 40 by Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel BarenboimViolin Romance No. 1 In G Major, Op. 40Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel BarenboimG Major09B126 BPM
ISRC
USB8U1022422
Label
L-M Records/RCA Records

Section: 0.6344480514526367

End: 0.6385626792907715