Hans Judenkünig, Joachim Held's 'Ain Schone Kunstliche Underweisung, 1523: Weyplich Art' came out on May 28, 2021. With Ain Schone Kunstliche Underweisung, 1523: Weyplich Art being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ain Schone Kunstliche Underweisung, 1523: Weyplich Art is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ain Schone Kunstliche Underweisung, 1523: Weyplich Art by Hans Judenkünig, Joachim Held having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
[Suite en ré majeur]: II. Allemande la Flateuse (No. 48) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
Suite in G Minor: IV. Gigue | François Dufaut, Hopkinson Smith | F♯ Major | 1 | 2B | 69 BPM | ||
Prelude a la maniere de Carillon | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ich Klag Den Tag | Hans Neusidler, Joachim Held | D Major | 2 | 10B | 140 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Preambel | Hans Neusidler, Joachim Held | D Major | 1 | 10B | 185 BPM | ||
D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Suite in G Minor, BWV 1008: II. Allemande | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Ain Schone Kunstliche Underweisung, 1523: Das Erst Priamell | Hans Judenkünig, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Mille Regretz | Hans Judenkünig, Martin Shepherd | G Minor | 0 | 6A | 55 BPM |
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