"O quam mirabilis" by Hildegard von Bingen, Augsburg Early Music Ensemble had its release date on January 1, 1990. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. This song is part of Vocal Music - Hildegard Of Bingen / Abelard, P. (Hildegard Von Bingen and Her Time) (Ensemble Fur Fruhe Musik Augsburg) by Augsburg Early Music Ensemble. The song's track number on the album is #12 out of 14 tracks. O quam mirabilis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O quam mirabilis by Hildegard von Bingen, Augsburg Early Music Ensemble has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With O quam mirabilis being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Ordo Virtutum, Prolog: "Qui sunt hi" (Patriarche & Prophete) | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | D Minor | 0 | 7A | 71 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: Holy God | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | B Major | 0 | 1B | 80 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Missa Pange lingua: I. Kyrie | Josquin des Prez, Kammerchor Josquin des Préz, Ludwig Bohme | B Minor | 2 | 10A | 72 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM |