Sonata No. 4 In C Minor, BWV 1017: 3. Adagio
Johann Sebastian Bach, Michelle Makarski, Keith Jarrett
Johann Sebastian Bach: Six Sonatas For Violin And Piano
3:06 September 27, 2013
BPM
94
Key
E♭ Major
Camelot
5B

Embed

Share Link

Sonata No. 4 In C Minor, BWV 1017: 3. Adagio - Johann Sebastian Bach, Michelle Makarski, Keith Jarrett Information

Acousticness
99%
Danceability
28%
Energy
4%
Instrumentalness
7%
Liveness
14%
Loudness
61%
Speechiness
4%
Valence
17%
Popularity
Loudness
-23.424 dB

Summary

"Sonata No. 4 In C Minor, BWV 1017: 3. Adagio" by Johann Sebastian Bach, Michelle Makarski, Keith Jarrett had its release date on September 27, 2013. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Michelle Makarski, Keith Jarrett's "Johann Sebastian Bach: Six Sonatas For Violin And Piano" album is number 3 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Sonata No. 4 In C Minor, BWV 1017: 3. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata No. 4 In C Minor, BWV 1017: 3. Adagio BPM

We consider the tempo marking of Sonata No. 4 In C Minor, BWV 1017: 3. Adagio by Johann Sebastian Bach, Michelle Makarski, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Sonata No. 4 In C Minor, BWV 1017: 3. Adagio Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace by Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic OrchestraConcerto for 2 Violins in D Minor, BWV 1043: I. VivaceJohann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic OrchestraD Minor37A100 BPM
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 by Janos Sebestyen, Johann Sebastian Bach2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779Janos Sebestyen, Johann Sebastian BachF Major37B123 BPM
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell by Robert Schumann, Piotr AnderszewskiSchumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnellRobert Schumann, Piotr AnderszewskiC Major08B173 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) by Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence DennisOverture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano)Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence DennisG Major19B115 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio by Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque OrchestraConcerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. AdagioJohann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque OrchestraE♭ Minor22A77 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) by Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovPreghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovC Major18B104 BPM
ISRC
DEB331023103
Label
L-M Records/RCA Records