"Così fan tutte, K. 588: Act I Scene 2: Quintet - Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)" by Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner was released on November 2, 1990. The duration of Così fan tutte, K. 588: Act I Scene 2: Quintet - Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) is about 3 minutes long, at 3:04. Based on our data, "Così fan tutte, K. 588: Act I Scene 2: Quintet - Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Johannes Wildner's "Mozart: Cosi Fan Tutte" album is number 17 out of 71. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Così fan tutte, K. 588: Act I Scene 2: Quintet - Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, K. 588: Act I Scene 2: Quintet - Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) by Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Mozart: Requiem in D Minor, K. 626: V. Rex tremendae | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 1 | 12B | 101 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
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