On February 6, 2015, the song "Die Männer sind alle Verbrecher" was released by Brigitte Mira. The duration of Die Männer sind alle Verbrecher is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Die Männer sind alle Verbrecher's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 50 in Die schönsten Schlager der 20er & 30er Jahre, Vol. 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Die Männer sind alle Verbrecher is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Die Männer sind alle Verbrecher by Brigitte Mira is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Tänzerin Fanny Elßler: Act Iii - " Immer Heut, Heut, Heut " | Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Elfie Mayerhofer, Bruno Hübner, Rudolf Christ, Fritz Raspber, Brigitte Mira, Josef Kapp | C Major | 4 | 8B | 88 BPM | ||
Der liebe Augustin: " Introduktion " | Kölner Rundfunkorchester, Franz Marszalek, Otto Daue, Ursula Kerp, Franz Fehringer, Charly Wimmer, Brigitte Mira, Paul Bürks, Willy Schneider | D Major | 1 | 10B | 129 BPM | ||
Tango-Max - Mono Version | Friedel Hensch Und Die Cyprys | E Major | 4 | 12B | 117 BPM | ||
Der Vetter aus Dingsda: Act I - " Überleg' dir's! " | Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Franz Fehringer, Friedel Blasius, Günther Schwerkolt, Brigitte Mira, Harald Leipnitz, Harry Wüstenhagen | F Major | 3 | 7B | 133 BPM | ||
Die Tänzerin Fanny Elßler: Act Ii - " Zwei Herzen Und Ein Schlag " | Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Elfie Mayerhofer, Bruno Hübner, Rudolf Christ, Fritz Raspber, Brigitte Mira, Josef Kapp | E♭ Major | 3 | 5B | 136 BPM | ||
Ich bin eine Frau von Format | Trude Herr | E♭ Major | 6 | 5B | 99 BPM | ||
Das Veilchen von Montmartre, Act II: "Ich bin nun da und wir sind ganz allein" - "Frag nicht nach der Treue, wenn die Liebe lacht" (Ninon, Raoul, Violetta) | Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Richard Holm, Erika Köth | D Major | 5 | 10B | 87 BPM | ||
Wenn der weisse Flieder wieder blüht | Rudi Schuricke | C Minor | 3 | 5A | 69 BPM | ||
Der Vetter aus Dingsda: Act I - " Strahlender Mond " | Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Franz Fehringer, Friedel Blasius, Günther Schwerkolt, Brigitte Mira, Harald Leipnitz, Harry Wüstenhagen | G Major | 1 | 9B | 76 BPM | ||
Mitsou | Jacqueline Boyer | D Minor | 3 | 7A | 79 BPM |
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