"Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato" by Pyotr Ilyich Tchaikovsky, RTÉ National Symphony Orchestra, Stefan Sanderling was released on November 22, 1993. Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Tchaikovsky: Suites Nos. 1 and 2". In this album, this song's track order is #7. Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in C Major, Op. 53: I. Jeu de sons: Andantino un poco rubato by Pyotr Ilyich Tchaikovsky, RTÉ National Symphony Orchestra, Stefan Sanderling having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 86 BPM | ||
String Quartet No.19 In C, K.465 - "Dissonance": 3. Allegretto | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 178 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Ein Musikalischer Spass (A Musical Joke), K. 522: IV. Presto | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | E Major | 1 | 12B | 131 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM |
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