Anonymous, Edvard Grieg, Janos Balint, Deborah Sipkai's 'Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 6. Spring dance' came out on January 1, 1998. With Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 6. Spring dance being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 6. Spring dance is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 6. Spring dance by Anonymous, Edvard Grieg, Janos Balint, Deborah Sipkai is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Adoramus te (Chansonnier du XVe siècle) | Jordi Savall, Anonymous | D Minor | 1 | 7A | 138 BPM | ||
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Inno: Gloria Laus | Canonici Regolari Si Sant'Antimo | A Major | 0 | 11B | 143 BPM | ||
Tempo Della Glora E Della Vita. Antifona D'Ingresso: Resurexi | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 133 BPM |
Section: 3.2761449813842773
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