Olaf Bär, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: "Con benefici"' came out on April 26, 2013. With La gara degli dei: "Con benefici" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 11 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: "Con benefici" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: "Con benefici" by Olaf Bär, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob.XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Gloria | Joseph Haydn, Viktoria Loukianetz, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Béla Drahos | B♭ Major | 1 | 6B | 125 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Major | 2 | 5B | 126 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 20 "Ich will bei meinem Jesu wachen" | Johann Sebastian Bach, Howard Crook, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | B Minor | 0 | 10A | 71 BPM | ||
Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: I. Allegro | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
Magnificat in D Major, BWV 243: Deposuit potentes (Tenor) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 4 | 11A | 106 BPM | ||
Die Schöpfung, Hob. XXI:2, Dritter Teil: II. Duett und Chor "Von deiner Güt', o Herr und Gott" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer, Rudolf Rosen | B♭ Major | 0 | 6B | 120 BPM | ||
Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Semele, HWV 58 / Act 1: Endless Pleasure... | George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 80 BPM |
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