Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris
Luigi Boccherini, Dominique Labelle, Sarasa Ensemble
Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1
6:31 April 12, 2019
BPM
89
Key
E Major
Camelot
12B

Embed

Share Link

Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris - Luigi Boccherini, Dominique Labelle, Sarasa Ensemble Information

Acousticness
98%
Danceability
36%
Energy
3%
Instrumentalness
60%
Liveness
14%
Loudness
56%
Speechiness
4%
Valence
30%
Popularity
Loudness
-26.114 dB

Summary

Luigi Boccherini, Dominique Labelle, Sarasa Ensemble's 'Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris' came out on April 12, 2019. Since Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 19 in Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1 by Luigi Boccherini, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris BPM

The tempo marking of Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris by Luigi Boccherini, Dominique Labelle, Sarasa Ensemble is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Schöpfung, Hob. XXI:2, Erster Teil: II. Rezitativ mit Chor Die Schöpfung, Hob. XXI:2, Erster Teil: II. Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde"Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen, Maximilian SchmittA♭ Major04B127 BPM
Adriano In Siria: Deh, tu bel Dio d'amore...Ov'è il mio bene? by Carl Heinrich Graun, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniAdriano In Siria: Deh, tu bel Dio d'amore...Ov'è il mio bene?Carl Heinrich Graun, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniE Minor19A91 BPM
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: I. Allegro molto by Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor PinnockConcerto for 2 Violins, Strings and Continuo in G Major, RV 516: I. Allegro moltoAntonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor PinnockD Minor17A134 BPM
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni by Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger BarockorchesterOrfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieniChristoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger BarockorchesterB Minor010A70 BPM
Quintet No. 9 for Guitar and Strings in C Major, G. 453 - Quintet No. 9 for Guitar and Strings in C Major, G. 453 - "La ritirata di Madrid": I. Allegro maestoso assaiLuigi Boccherini, Narciso Yepes, Melos QuartetC Major18B65 BPM
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro by Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin RootSonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. AllegroRichard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin RootD Major210B103 BPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 2. Allegro by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerConcerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 2. AllegroGeorg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerF♯ Major12B122 BPM
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante LargoArcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella IstropolitanaF Major17B168 BPM
Missa Dolorosa: IV. Sanctus by Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicMissa Dolorosa: IV. SanctusAntonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): II. Adagio by Friedrich Grützmacher, Luigi Boccherini, Reiner Ginzel, Dresden Philharmonic Chamber OrchestraCello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): II. AdagioFriedrich Grützmacher, Luigi Boccherini, Reiner Ginzel, Dresden Philharmonic Chamber OrchestraA♭ Major04B107 BPM
ISRC
HKI191814010
Label
L-M Records/RCA Records

Section: 0.6902995109558105

End: 0.6947991847991943