Luigi Boccherini, Dominique Labelle, Sarasa Ensemble's 'Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris' came out on April 12, 2019. Since Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 19 in Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1 by Luigi Boccherini, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris by Luigi Boccherini, Dominique Labelle, Sarasa Ensemble is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2, Erster Teil: II. Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen, Maximilian Schmitt | A♭ Major | 0 | 4B | 127 BPM | ||
Adriano In Siria: Deh, tu bel Dio d'amore...Ov'è il mio bene? | Carl Heinrich Graun, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 1 | 9A | 91 BPM | ||
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: I. Allegro molto | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | D Minor | 1 | 7A | 134 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Quintet No. 9 for Guitar and Strings in C Major, G. 453 - "La ritirata di Madrid": I. Allegro maestoso assai | Luigi Boccherini, Narciso Yepes, Melos Quartet | C Major | 1 | 8B | 65 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 2. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 1 | 2B | 122 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): II. Adagio | Friedrich Grützmacher, Luigi Boccherini, Reiner Ginzel, Dresden Philharmonic Chamber Orchestra | A♭ Major | 0 | 4B | 107 BPM |
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