- BPM
- 78
- Key
- D Major
- Camelot
- 10B
Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda - Johann Sebastian Bach, Jean Frédéric Molard Information
- Acousticness
- 88%
- Danceability
- 15%
- Energy
- 5%
- Instrumentalness
- 32%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 35%
- Loudness
- -24.894 dB
Summary
"Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda" by Johann Sebastian Bach, Jean Frédéric Molard had its release date on March 23, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Bartók: Sonata for Solo Violin – Bach: Partita No. 2 by Jean Frédéric Molard. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda BPM
The tempo marking of Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda by Johann Sebastian Bach, Jean Frédéric Molard is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Partita for Solo Violin No. 2 in D Minor, BWV 1004: III. Sarabanda Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Fair Shot | Peter Nashel | A Minor | 3 | 8A | 115 BPM | |
![Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] by Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble](https://i.scdn.co/image/ab67616d00001e024747d8d612db02dd7791a699) | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | |
 | Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, David Juritz | G Minor | 0 | 6A | 133 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Alisa Weilerstein | D Minor | 4 | 7A | 134 BPM | |
 | Two Pieces For Strings: Passacaglia: The Death Of Falstaff - Edited Performance | London Philharmonic Orchestra, Leonard Slatkin | E Minor | 2 | 9A | 70 BPM | |
 | Nocturne No. 20 in C-Sharp Minor, Op. posth. | Frédéric Chopin, Alice Sara Ott | E♭ Major | 2 | 5B | 139 BPM | |
 | Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | |
 | Tales of Hoffmann: Barcarole | Jacques Offenbach, Ilmar Lapinsch, Mostar Sinfonie Orchester, Tibor Bauer, Drazan Milas | D Major | 1 | 10B | 71 BPM | |
 | Grandes études de Paganini, S. 141: No. 3 in G-Sharp Minor "La campanella" | Franz Liszt, Gianluca Luisi | A♭ Minor | 2 | 1A | 67 BPM | |
 | Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio | Ludwig van Beethoven, Wilhelm Kempff | C Major | 1 | 8B | 76 BPM |
- ISRC
- BER181472307
- Label
- L-M Records/RCA Records