Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila)
Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva
Saint-Saëns: Samson et Dalila
10:28 February 1, 2015
BPM
115
Key
B Major
Camelot
1B

Embed

Share Link

Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) - Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva Information

Acousticness
99%
Danceability
47%
Energy
47%
Instrumentalness
0%
Liveness
25%
Loudness
82%
Speechiness
5%
Valence
65%
Popularity
Loudness
-11.031 dB

Summary

Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva made "Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila)" available on February 1, 2015. Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) appears to be safe for all ages as it is not explicit. There are a total of 29 in the song's album "Saint-Saëns: Samson et Dalila". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) BPM

With Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) by Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Samson et Dalila, Op. 47: Act II: J'ai gravi la montagne (Grand Pretre, Dalila) Key

B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Sonata for Violin and Piano in A Major: Allegretto ben moderato by César Franck, Ray ChenSonata for Violin and Piano in A Major: Allegretto ben moderatoCésar Franck, Ray ChenA Major011B60 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling)Johannes Brahms, Wiener Philharmoniker, Claudio AbbadoG Minor26A145 BPM
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111 BPM
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 by Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos BalintF Minor04A71 BPM
Coppelia: Act I - Valse by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act I - ValseLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaE♭ Major05B89 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) by Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred HoneckG Major09B103 BPM
Liebesleid by Fritz Kreisler, Joshua Bell, Paul CokerLiebesleidFritz Kreisler, Joshua Bell, Paul CokerA Major111B74 BPM
ISRC
USB8U1504425
Label
L-M Records/RCA Records

Section: 0.8522419929504395

End: 0.8561539649963379