"Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo)" by Francesco Cavalli, Philippe Jaroussky was released on March 8, 2019. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Ombra mai fu - Francesco Cavalli Opera Arias". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) by Francesco Cavalli, Philippe Jaroussky having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lambert: Vos mépris chaque jour | Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | B Major | 0 | 1B | 94 BPM | ||
Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue" | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | C Major | 2 | 8B | 115 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ricorda, o boschi ombrosi" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 3 | 2B | 139 BPM | ||
Triumphe de L'Amour (1681): Prélude pour la nuit | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 127 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia - Allegro con moto | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 2 | 1B | 138 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: "Stille amare" (Tolomeo) | George Frideric Handel, Philippe Jaroussky | A Minor | 0 | 8A | 121 BPM |
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