Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo)
Francesco Cavalli, Philippe Jaroussky
Ombra mai fu - Francesco Cavalli Opera Arias
4:20 March 8, 2019
BPM
113
Key
C Minor
Camelot
5A

Embed

Share Link

Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) - Francesco Cavalli, Philippe Jaroussky Information

Acousticness
99%
Danceability
37%
Energy
4%
Instrumentalness
0%
Liveness
10%
Loudness
67%
Speechiness
5%
Valence
10%
Popularity
Loudness
-19.976 dB

Summary

"Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo)" by Francesco Cavalli, Philippe Jaroussky was released on March 8, 2019. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Ombra mai fu - Francesco Cavalli Opera Arias". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) BPM

With Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) by Francesco Cavalli, Philippe Jaroussky having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.

Cavalli: Gli amori d'Apollo e di Dafne, Act 3: "Misero Apollo" (Apollo) Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lambert: Vos mépris chaque jour by Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe JarousskyLambert: Vos mépris chaque jourMichel Lambert, Christina Pluhar, L'Arpeggiata, Philippe JarousskyB Major01B94 BPM
Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue"Nicola Porpora, Andreas Scholl, Accademia Bizantina, Ottavio DantoneC Major28B115 BPM
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 by Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea MarconScherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea MarconG Major29B101 BPM
Monteverdi: L'Orfeo, SV 318, Act 2: Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ricorda, o boschi ombrosi" (Orfeo)Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Major32B139 BPM
Triumphe de L'Amour (1681): Prélude pour la nuit by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelTriumphe de L'Amour (1681): Prélude pour la nuitJean-Baptiste Lully, Musica Antiqua Köln, Reinhard GoebelD♭ Minor012A127 BPM
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia - Allegro con moto by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiGluck: Orfeo ed Euridice, Wq. 30: Sinfonia - Allegro con motoChristoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiB Major21B138 BPM
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonRinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo)George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin MallonE♭ Minor12A92 BPM
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur by François Couperin, Jean RondeauCouperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteurFrançois Couperin, Jean RondeauD♭ Major13B114 BPM
Caccini: Le nuove musiche: VIII. Amarilli, mia bella by Giulio Caccini, Nathalie Stutzmann, Marie-Domitille MurezCaccini: Le nuove musiche: VIII. Amarilli, mia bellaGiulio Caccini, Nathalie Stutzmann, Marie-Domitille MurezF♯ Major12B170 BPM
Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: "Stille amare" (Tolomeo)George Frideric Handel, Philippe JarousskyA Minor08A121 BPM
ISRC
GBAYC1801558
Label
L-M Records/RCA Records

Section: 0.607313871383667

End: 0.6102213859558105