"Missa Pro Defunctis: Benedictus" by Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini had its release date on 1991. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet's "Lotti : Missa pro defunctis - crucifixus - miserere" album is number 8 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Missa Pro Defunctis: Benedictus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pro Defunctis: Benedictus by Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Song of Cherubs: Izhe Kheruvimi (Cherubic Hymn): No. 7 in D Major | St. Petersburg Optina Pustyn Male Choir | A Major | 2 | 11B | 130 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Taaveti laulud (Psalms of David): Onnis on inimene (Happy is the man) | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 125 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XIV. Praise the Lord from the Heavens | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM |