George Frideric Handel, Angela Kazimierczuk, Richard Wyn Roberts, English Baroque Soloists, John Eliot Gardiner made "Dixit Dominus, HWV 232: Virgam virtutis tuae" available on August 31, 2001. The duration of Dixit Dominus, HWV 232: Virgam virtutis tuae is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Dixit Dominus, HWV 232: Virgam virtutis tuae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #19 out of 27 tracks. Dixit Dominus, HWV 232: Virgam virtutis tuae is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Dixit Dominus, HWV 232: Virgam virtutis tuae by George Frideric Handel, Angela Kazimierczuk, Richard Wyn Roberts, English Baroque Soloists, John Eliot Gardiner has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dixit Dominus, HWV 232: Virgam virtutis tuae being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM | ||
Concerto for Recorder, Oboe and 2 Violins in C Major, RV 87: III. Allegro assai | Antonio Vivaldi, László Kecskeméti, László Hadady, Attila Falvay, Katalin Parkanyi, Gyorgy Kertesz, Borbála Dobozy | C Major | 2 | 8B | 176 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM |
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