Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon's 'Suite Buenos Aires for Flute and Guitar: I. Pompeya' came out on 2002. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Tangos & Choros: Flute Music from Argentina and Brazil". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Suite Buenos Aires for Flute and Guitar: I. Pompeya's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite Buenos Aires for Flute and Guitar: I. Pompeya by Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza Brasilera | Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 117 BPM | ||
Triunfal (Arr. V. Villadangos) | Astor Piazzolla, Sebastian Caldas | G Major | 1 | 9B | 135 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
4 Mazurkas : No. 1. Adelita | Norbert Kraft | F♯ Minor | 1 | 11A | 82 BPM | ||
6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gabriel Bianco | D Major | 0 | 10B | 82 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Cinco piezas: Hora pico | María Isabel Siewers, Maximo Diego Pujol | A Minor | 3 | 8A | 91 BPM | ||
Milonga Triste | Maximo Diego Pujol | E Minor | 2 | 9A | 81 BPM | ||
Bachianinha No. 2 / Araponga (Arr. for Guitar by Sérgio Assad) | Paulinho Nogueira, Luiz Gonzaga, Plínio Fernandes | E Minor | 3 | 9A | 81 BPM | ||
Tango barroco No. 3 (Arr. M. D. Pujol for Guitar) | Saúl Cosentino, Maximo Diego Pujol, Roberto Aussel | D Major | 4 | 10B | 88 BPM |
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