Suite Buenos Aires for Flute and Guitar: I. Pompeya
Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon
Tangos & Choros: Flute Music from Argentina and Brazil
3:58 2002
BPM
128
Key
A Minor
Camelot
8A

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Suite Buenos Aires for Flute and Guitar: I. Pompeya - Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon Information

Acousticness
98%
Danceability
49%
Energy
5%
Instrumentalness
92%
Liveness
8%
Loudness
59%
Speechiness
5%
Valence
24%
Popularity
Loudness
-24.334 dB

Summary

Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon's 'Suite Buenos Aires for Flute and Guitar: I. Pompeya' came out on 2002. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Tangos & Choros: Flute Music from Argentina and Brazil". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Suite Buenos Aires for Flute and Guitar: I. Pompeya's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Suite Buenos Aires for Flute and Guitar: I. Pompeya BPM

With Suite Buenos Aires for Flute and Guitar: I. Pompeya by Maximo Diego Pujol, Marcelo Barboza, Fabio Zanon having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Suite Buenos Aires for Flute and Guitar: I. Pompeya Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
GBABV0711793
Label
L-M Records/RCA Records

Section: 0.4863927364349365

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