Franz Schubert, Johann Kaspar Mertz, Gabriel Bianco's '6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz)' came out on May 26, 2009. The duration of 6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) is about 3 minutes long, at 3:23. Based on our data, "6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gabriel Bianco's "Guitar Recital: Bianco, Gabriel - Mertz, J.K. / Bach, J.S / Koshkin, N." album is number 1 out of 12. On top of that, Hong Kong appears to be the country where this track was created. 6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) by Franz Schubert, Johann Kaspar Mertz, Gabriel Bianco to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
Preludios Epigramaticos: No. 5 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
El Maestro: Pavan No. 1 | Philip Hemmo | G Major | 2 | 9B | 100 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Tarantella | Johann Kaspar Mertz, Thibault Cauvin | A Minor | 3 | 8A | 139 BPM | ||
Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) | Jacques Duphly, Raphaël Feuillâtre | D Major | 0 | 10B | 79 BPM | ||
25 Etudes, Op. 38: No. 6 in A Major: Andantino | Napoléon Coste, Jeffrey McFadden | D Major | 1 | 10B | 119 BPM | ||
Love Waltz | Ulrik Neumann, Kaori Muraji | E Minor | 1 | 9A | 94 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM |
Section: 0.5443291664123535
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