Hatice Sultan, Henschel Quartett, Vedat Koşal made "Vals - Arr. for Piano and String Quartet" available on 2000. With Vals - Arr. for Piano and String Quartet being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ottoman Court Music (Arr. for Piano and String Quartet)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Austria. Vals - Arr. for Piano and String Quartet is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vals - Arr. for Piano and String Quartet by Hatice Sultan, Henschel Quartett, Vedat Koşal having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O, Cease Thy Singing (Oh Never Sing to Me Again), Op. 4 No. 4 | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | G Major | 2 | 9B | 87 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": V. Allegro | Antonín Dvořák, Alexander Melnikov, Jean-Guihen Queyras, Isabelle Faust | E♭ Major | 1 | 5B | 76 BPM | ||
Violin Concerto No. 2 in G Major, Op. 13: II. Adagio | Friedrich Seitz, Hyejin Chung, Warren Lee | B Minor | 1 | 10A | 79 BPM | ||
Caprice No. 15 in E Minor: Posato | Niccolò Paganini, James Ehnes | G Major | 2 | 9B | 88 BPM | ||
Krebs: Keyboard Partita No. 6 in E-Flat Major: VI. Bourrée | Johann Ludwig Krebs, György Cziffra | F♯ Minor | 3 | 11A | 112 BPM | ||
Piano Quintet, Op. 44: IV. Finale. Allegro, ma non troppo | Robert Schumann, Nils Anders Mortensen, The Engegård Quartet | A Major | 8 | 11B | 153 BPM | ||
Duo concertant: I. Cantilene | Igor Stravinsky, Jennifer Frautschi, Jeremy Denk | G Minor | 2 | 6A | 87 BPM | ||
Mazurka No. 25 in B Minor, Op. 33 No. 4: Mesto (II) | Frédéric Chopin, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 126 BPM | ||
Capriccio-valse for Violin and Piano in E Major, Op. 7 | Henryk Wieniawski, Jascha Heifetz | E Major | 1 | 12B | 135 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |
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