Johann Ludwig Krebs, György Cziffra's 'Krebs: Keyboard Partita No. 6 in E-Flat Major: VI. Bourrée' came out on May 13, 2022. With Krebs: Keyboard Partita No. 6 in E-Flat Major: VI. Bourrée being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Récital: Couperin, Scarlatti, Krebs, Mozart, Hummel, Beethoven...". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Krebs: Keyboard Partita No. 6 in E-Flat Major: VI. Bourrée is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Krebs: Keyboard Partita No. 6 in E-Flat Major: VI. Bourrée by Johann Ludwig Krebs, György Cziffra having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Preludes, Op. 103: No. 8 in C Minor | Gabriel Fauré, Kathryn Stott | A♭ Major | 1 | 4B | 109 BPM | ||
Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: III. Allegro | Wolfgang Amadeus Mozart, Rudolf Buchbinder, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 106 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Rameau: Deuxième livre de pièces de clavecin, Suite en mi mineur: IV. Le rappel des oiseaux | Jean-Philippe Rameau, György Cziffra | E Minor | 1 | 9A | 133 BPM | ||
Fuga in F Minor | Johann Ludwig Krebs, Manuel Tomadin | G Major | 0 | 9B | 172 BPM | ||
24 Preludes & Fugues, Op. 87: Fugue no.3 in G major. Allegro molto (3-voice) | Dmitri Shostakovich, Alexander Melnikov | F♯ Minor | 0 | 11A | 50 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio | Gabriel Fauré, Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang | F Major | 2 | 7B | 118 BPM | ||
Piano Trio No. 43 in C Major, Hob. XV: 27: II. Andante | Joseph Haydn, Trio Wanderer | A Minor | 1 | 8A | 106 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor (Allegro moderato) | Franz Schubert, Ingrid Haebler | C Major | 2 | 8B | 124 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM |
Section: 0.7017412185668945
End: 0.7053277492523193