On January 1, 2009, the song "Piano Sonata No. 3 in G Major, Op. 1, No. 3: II. Adagio" was released by Johann Samuel Schroeter, Luigi Gerosa. The duration of Piano Sonata No. 3 in G Major, Op. 1, No. 3: II. Adagio is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Piano Sonata No. 3 in G Major, Op. 1, No. 3: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schroeter, J.S.: Piano Sonatas, Op. 1 (Complete)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Based on our statistics, Piano Sonata No. 3 in G Major, Op. 1, No. 3: II. Adagio's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Piano Sonata No. 3 in G Major, Op. 1, No. 3: II. Adagio by Johann Samuel Schroeter, Luigi Gerosa having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 1 | 6A | 173 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | E Major | 1 | 12B | 84 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): II. Andante | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | G Major | 0 | 9B | 80 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Grieg: Lyric Suite, Op. 54: II. Norwegian March | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Piano Concerto in A Major: III. Allegro assai | Marianna Martines, Melani Mestre, Orquesta Filarmonía Ibérica | A Major | 1 | 11B | 89 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5. Poco allegro | Antonín Dvořák, Scharoun Ensemble | G Major | 2 | 9B | 134 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
Section: 0.6085677146911621
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