"Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): IV. Finale. Bewegt, feurig" by Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa was released on October 29, 2021. Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): IV. Finale. Bewegt, feurig appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Bruckner: Symphony No. 1 by Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa. Based on our statistics, Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): IV. Finale. Bewegt, feurig's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): IV. Finale. Bewegt, feurig by Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Virga Jesse - Motet for 4 voice Chorus a capella | Anton Bruckner, Kammerchor Stuttgart | D Major | 1 | 10B | 83 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 3. Menuetto (Allegro molto) | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Minor | 1 | 6A | 181 BPM |
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