Franz Liszt, Johann Sebastian Bach, Fazıl Say's 'Liszt & Bach, JS: 6 Preludes and Fugues, S. 462, No. 1 in A Minor: I. Prelude (After Bach's BWV 543)' had a release date set for September 1, 1998. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 16 in Bach: Piano Works by Johann Sebastian Bach, Fazıl Say. Based on our statistics, Liszt & Bach, JS: 6 Preludes and Fugues, S. 462, No. 1 in A Minor: I. Prelude (After Bach's BWV 543)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liszt & Bach, JS: 6 Preludes and Fugues, S. 462, No. 1 in A Minor: I. Prelude (After Bach's BWV 543) by Franz Liszt, Johann Sebastian Bach, Fazıl Say is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 3. Allegro assai | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | A Minor | 3 | 8A | 64 BPM | ||
En rêve, S. 207 (Nocturne) | Franz Liszt, Arcadi Volodos | F Major | 0 | 7B | 97 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più lento | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 134 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Piano Étude No. 41 in E-Flat Major | Hélène de Montgeroult, Clare Hammond | E♭ Major | 0 | 5B | 70 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Piano Sonata Op. 27 No.1 in E Flat Major – Sonata quasi una Fantasia , Adagio con espressione – Attacca | Lorenzo Luiselli, Beethoven | D Minor | 2 | 7A | 92 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM |