"Closing Scene: Wo ist mein Bruder?" by Richard Strauss, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France was released on June 5, 1987. Closing Scene: Wo ist mein Bruder? appears to be safe for all ages as it is not explicit. The song is number 10 out of 10 in Airs d'Opera - Opera Arias by Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France. Closing Scene: Wo ist mein Bruder? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Closing Scene: Wo ist mein Bruder? by Richard Strauss, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Elektra: Xiv. Platz da! Wer lungert so vor einer Tür? | Hugo von Hofmannsthal, Richard Strauss, Sonny Wallentin, Bengt Lindberger, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM |
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