Slovak Radio Symphony Orchestra, Francisco Jose Debali, Peter Breiner's 'Paraguay ["For Three Centuries A Reign Oppressed The Unhappy Peoples Of America…"]' came out on June 10, 1998. The duration of Paraguay ["For Three Centuries A Reign Oppressed The Unhappy Peoples Of America…"] is about 3 minutes long, at 3:12. Based on our data, "Paraguay ["For Three Centuries A Reign Oppressed The Unhappy Peoples Of America…"]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 45 in Football Classics - Classical Music That Celebrates The Great Game (1998 Edition) by Giuseppe Verdi. Based on our statistics, Paraguay ["For Three Centuries A Reign Oppressed The Unhappy Peoples Of America…"]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paraguay ["For Three Centuries A Reign Oppressed The Unhappy Peoples Of America…"] by Slovak Radio Symphony Orchestra, Francisco Jose Debali, Peter Breiner is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM | ||
Le Carnaval des Animaux, R. 125: 12. Fossiles | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | E♭ Major | 3 | 5B | 116 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Giselle: Act I: Marche des vignerons (Grape-Pickers' March) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 2 | 10B | 82 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM |
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