Kosaku Yamada, Marc Grauwels, Hiroko Masaki, Vladimir Mendelssohn, Ingrid Procureur's 'Awatedokoya: Awatetokoya (the Confused Barber)' came out on August 2, 2003. The duration of Awatedokoya: Awatetokoya (the Confused Barber) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Awatedokoya: Awatetokoya (the Confused Barber)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hiroko Masaki's "Japanese Melodies" album is number 21 out of 21. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Awatedokoya: Awatetokoya (the Confused Barber) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Awatedokoya: Awatetokoya (the Confused Barber) by Kosaku Yamada, Marc Grauwels, Hiroko Masaki, Vladimir Mendelssohn, Ingrid Procureur to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Ave Maria | Charles Gounod, Cocomi, Niu Niu | D Major | 1 | 10B | 175 BPM | ||
Calm Cascades | Marko Celesty, Magical Flute Moments | G Major | 0 | 9B | 89 BPM | ||
マスネ: 歌劇「タイス」より「瞑想曲」 | 大河内涼子 | D♭ Minor | 1 | 12A | 69 BPM | ||
Ouverture de fete | Jacques Ibert, Symphony Orchestra in Celebration of the 2600th Anniversary, Kosaku Yamada | B♭ Major | 4 | 6B | 88 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Sea Pictures: IV. Nocturne (Song of the Watch) | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | ||
Fantasia on Greensleeves (Arr. for Flute & Harp) | Ralph Vaughan Williams, Suzanne Shulman, Erica Goodman | C Minor | 0 | 5A | 76 BPM | ||
初音とヴァイオリン | Shinya Kiyozuka | E♭ Major | 2 | 5B | 112 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 1, Moderato | Elias Parish Alvars, Paola Perrucci | E♭ Major | 1 | 5B | 73 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM |
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