Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María - Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov Information

"Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María" by Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov was released on February 16, 1998. Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #2. Based on our statistics, Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María BPM

With Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María by Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Piazzolla: María de Buenos Aires, Part 1, Scene 2: Tema de María Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.