"Trio per archi: 2. Allegro molto" by Sándor Veress, Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann was released on March 1, 1993. Since Trio per archi: 2. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 14 in Bach: Suite Nr.1 für Violoncello solo / Veress: Sonata by Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Trio per archi: 2. Allegro molto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Trio per archi: 2. Allegro molto by Sándor Veress, Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mad Song: II. Lo! To the Vault of Paved Heaven... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
The Tempest: Suite No. 2, Op. 109: IV. Prospero | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | E Major | 0 | 12B | 77 BPM |
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