"Op.30, Prelude: Thus Spoke Zarathustra (Also Sprach Zarathustra)" by Pretoria Philharmonia Orchestra, Paul Redinowski was released on July 7, 1998. With Op.30, Prelude: Thus Spoke Zarathustra (Also Sprach Zarathustra) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Classic Dreams Vol.2 by Various Artists. In terms of popularity, Op.30, Prelude: Thus Spoke Zarathustra (Also Sprach Zarathustra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Op.30, Prelude: Thus Spoke Zarathustra (Also Sprach Zarathustra) by Pretoria Philharmonia Orchestra, Paul Redinowski is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Symphony No. 3 in C Minor, Op. 78, "Organ": Finale | Camille Saint-Saëns, Alfred Scholz, London Festival Orchestra | C Major | 5 | 8B | 118 BPM | ||
Boléro | Maurice Ravel, Samo Hubad, RSO Ljubljana | C Major | 1 | 8B | 96 BPM | ||
Ei, wie schmeckt der Kaffee süsse: Die Kaffee-Kantate | Württembergisches Kammerorchester, Paul Redinowski | B Minor | 2 | 10A | 120 BPM | ||
4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | A♭ Major | 5 | 4B | 172 BPM | ||
Sedate Sonata | Bonn Classical Philharmonic | D Minor | 0 | 7A | 75 BPM | ||
in A- Minor ,op.16: Allegro molto e marcato, Quasi Presto, Andante maestoso: Concert For Piano And Orchestra | Symphonieorchester Ljubljana, Rundfunk, Dubravka Tomšič, Paul Redinowski | F Major | 2 | 7B | 117 BPM | ||
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM |
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