Giacomo Puccini, Ramón Vargas, Dwayne Croft, Luciano Pavarotti, Federico Davia, Giuseppe Taddei, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 1: Discendono, vediam!' came out on January 1, 1993. The duration of Manon Lescaut / Act 1: Discendono, vediam! is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Manon Lescaut / Act 1: Discendono, vediam!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #5. Manon Lescaut / Act 1: Discendono, vediam! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 1: Discendono, vediam! by Giacomo Puccini, Ramón Vargas, Dwayne Croft, Luciano Pavarotti, Federico Davia, Giuseppe Taddei, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
La Bohème / Act 4: "Che avvien?" - Live | Giacomo Puccini, Anna Netrebko, Nicole Cabell, Rolando Villazón, Stéphane Degout, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 0 | 6B | 138 BPM | ||
Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 173 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine | D Minor | 2 | 7A | 135 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
Vanne, o rosa fortunata | Vincenzo Bellini, Cecilia Bartoli, James Levine | F♯ Major | 1 | 2B | 75 BPM | ||
La Bohème / Act 4: O Mimì, tu più non torni - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Major | 2 | 8B | 116 BPM | ||
Otello / Act 2: "Dove guardi splendono" | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Leo Nucci, The Metropolitan Childrens Chorus, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 1 | 12B | 112 BPM |
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