Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya's 'Andrea Chénier: Nemico della Patria' came out on 2003. With this song being about 5 minutes long, at 5:15, "Andrea Chénier: Nemico della Patria" by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Arias by Wolfgang Amadeus Mozart, Ezio Pinza, Bruno Walter, Metropolitan Opera Orchestra, Wolfgang Amadeus Mozart, Thomas Quasthoff, Wolfgang Amadeus Mozart, Various Artists, Thomas Quasthoff, Bläserensemble des Niederösterreichischen Tonkünstlerorchesters, Maximilian Geller Quartet, Various Artists, Alex Wunder, Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Andrea Chénier: Nemico della Patria is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Andrea Chénier: Nemico della Patria by Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Adriana Lecouvreur Act II, Scene 2: L'anima ho stanca | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
El Barberillo de Lavapiés: "Canción de Paloma" | Teresa Berganza | A Major | 5 | 11B | 144 BPM | ||
Benedictus: Andantino | Raquel Pierotti, Luca Casalin, Joan Pons, Orquestra De Cambra Illa de Menorca | A Major | 1 | 11B | 92 BPM | ||
Foc i Fum: Si Jo em Casàs amb Ella | Francesc Rosselló, Joan Pons | F Major | 1 | 7B | 101 BPM | ||
Il pirata, Act II: Act II: Qual suono ferale (Imogene, Choir) | Vincenzo Bellini, Maria Callas, Pier Miranda Ferraro, Constantino Ego, Glade Peterson, Chester Watson, Regina Sarfaty, American Opera Society Chorus, American Opera Society Orchestra, Nicola Rescigno | B Minor | 4 | 10A | 92 BPM | ||
Requiem: Andante, Recitatiu, Andantino | Raquel Pierotti, Luca Casalin, Joan Pons, Orquestra De Cambra Illa de Menorca | E Major | 1 | 12B | 78 BPM | ||
I Capuleti e i Montecchi, Act I: Ascolta! Se Romeo t'uccise un figlio | Vincenzo Bellini, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni, Apollo Voices, Genevieve Ellis | D Major | 1 | 10B | 132 BPM | ||
The Story of an Unknown Actor: XI | U.S.S.R Cinematography Symphony Orchestra, Emin Khachaturian | C Minor | 3 | 5A | 62 BPM |
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