"Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza" by Salvador Bacarisse, Salvadore Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra was released on January 2, 2009. Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Spain: Great Guitar Concertos". In this album, this song's track order is #12. In terms of popularity, Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza by Salvador Bacarisse, Salvadore Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Fair Albion | Patrick Hawes, Prague Symphony Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Symphony No. 5 in D Minor, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Kammerakademie Potsdam, Antonello Manacorda | F Major | 1 | 7B | 60 BPM | ||
Elegy "In Memoriam Rupert Brooke" | Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Johannes Fritzsch | A Minor | 1 | 8A | 86 BPM | ||
Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 3. Grave assai - 4. Fandango | Luigi Boccherini, Narciso Yepes, Melos Quartet, Lucero Tena | D Major | 2 | 10B | 115 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Eclogue Op. 10 | Gerald Finzi, Tom Poster, Aurora Orchestra, Nicholas Collon | F Minor | 0 | 4A | 69 BPM | ||
Vals Lírico | National Philharmonic Orchestra | C Minor | 3 | 5A | 82 BPM | ||
String Quartet in E Major, G275: Minuet (Arr. For Orchestra) | Luigi Boccherini, Tasmanian Symphony Orchestra, David Stanhope | A Major | 0 | 11B | 174 BPM | ||
Pelléas et Mélisande, Op.80: 4. Sicilienne | Adelaide Symphony Orchestra, David Stanhope | G Minor | 1 | 6A | 76 BPM |
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