Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese's 'Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace' came out on January 5, 2020. The duration of Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 29 in Albinoni: Sonate & Trio Sonate, Op. 8 by Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace by Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 109 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – Allegro | Franz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra Gulbenkian | D Major | 1 | 10B | 137 BPM | ||
Oboe Concerto in F Major, Op. 7 No. 9: III. Allegro | Tomaso Albinoni, Anthony Robson, Collegium Musicum 90, Simon Standage | E Major | 2 | 12B | 113 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
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