- BPM
- 144
- Key
- D♭ Major
- Camelot
- 3B
Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive - Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra Information
- Acousticness
- 83%
- Danceability
- 53%
- Energy
- 9%
- Instrumentalness
- 31%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 30%
- Popularity
- 26%
- Loudness
- -21.357 dB
Summary
Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra's 'Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive' came out on May 2, 1978. With Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive BPM
The tempo marking of Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Peter and the Wolf, Op. 67 (Remastered): The Hunters Arrive Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | |
 | Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | |
 | Scherzo No. 1 in B Minor, Op. 20: Scherzo No.1 in B Minor, Op. 20 | Frédéric Chopin, Ivo Pogorelich | B Minor | 1 | 10A | 126 BPM | |
 | Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | |
 | Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | |
 | Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | |
 | Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7060105800628662
End: 0.7104411125183105