Henry Purcell, Christina Pluhar, Dominique Visse, L'Arpeggiata made "Purcell / Arr. Pluhar: The Mock Marriage, Z. 605: No. 3, Man Is for the Woman Made" available on 1900. With Purcell / Arr. Pluhar: The Mock Marriage, Z. 605: No. 3, Man Is for the Woman Made being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 14 out of 17. Purcell / Arr. Pluhar: The Mock Marriage, Z. 605: No. 3, Man Is for the Woman Made is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Purcell / Arr. Pluhar: The Mock Marriage, Z. 605: No. 3, Man Is for the Woman Made by Henry Purcell, Christina Pluhar, Dominique Visse, L'Arpeggiata to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest, Z. 631, "The Enchanted Island": Masque of Spirits, Act II, No. 4 (Air) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Stabat Mater RV 621: VII. Eja Mater | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 0 | 5A | 77 BPM | ||
Dido and Aeneas, Z. 626: Act III: The Witches' Dance | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | A Major | 0 | 11B | 102 BPM | ||
Pederzuoli: Orfeo Chamán, Act 3: Sinfonia | Giovanni Battista Pederzuoli, Christina Pluhar, L'Arpeggiata | C Minor | 1 | 5A | 102 BPM | ||
Lamento dei mendicanti | Matteo Salvatore, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | G Minor | 0 | 6A | 109 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: I. Aria "Eternal Source of Light Divine" (Countertenor) | George Frideric Handel, Iestyn Davies, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Purcell / Arr. Pluhar: An Evening Hymn, Z. 193 | Henry Purcell, Christina Pluhar, L'Arpeggiata | D Major | 1 | 10B | 85 BPM | ||
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 0 | 11B | 128 BPM |
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