"Danzas españolas, Op. 37: V. Andaluza (Arr. for Guitar)" by Enrique Granados, Craig Ogden was released on May 1, 2021. With this song being about 5 minutes long, at 4:49, "Danzas españolas, Op. 37: V. Andaluza (Arr. for Guitar)" by Enrique Granados, Craig Ogden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 17 in Craig Ogden in Concert by Craig Ogden. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Danzas españolas, Op. 37: V. Andaluza (Arr. for Guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Danzas españolas, Op. 37: V. Andaluza (Arr. for Guitar) by Enrique Granados, Craig Ogden is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Saint-Saëns: Sonate op. 168, I. Allegretto moderato | Camille Saint-Saëns, Vebjørn Anvik, Per Hannisdal | G Major | 1 | 9B | 65 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Apariciones: Valses Romanticos: Cadencioso | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Valse lente | Germaine Tailleferre, Dario Müller | A Major | 0 | 11B | 67 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM |
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