- BPM
- 90
- Key
- B Major
- Camelot
- 1B
Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) - Claude Debussy, Cleveland Orchestra, Pierre Boulez Information
- Acousticness
- 97%
- Danceability
- 13%
- Energy
- 6%
- Instrumentalness
- 77%
- Liveness
- 17%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 17%
- Loudness
- -26.888 dB
Summary
"Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial)" by Claude Debussy, Cleveland Orchestra, Pierre Boulez was released on January 1, 1995. Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) appears to be safe for all ages as it is not explicit. The song is number 5 out of 8 in Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer by Claude Debussy, Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell. In terms of popularity, Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) BPM
The tempo marking of Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) by Claude Debussy, Cleveland Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Jeux (Poème dansé), L.126: Très lent - Scherzando (Tempo initial) Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Gymnopedies (orch. Debussy): Gymnopedie No. 2 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 67 BPM | |
 | Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | |
 | Symphony for Strings in A-Flat, Op. 118a: I. Andante (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Major | 0 | 11B | 88 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | |
 | Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | |
 | Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | |
 | Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | |
 | Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7313587665557861
End: 0.7358677387237549