"A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2010. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Klassiskt - 27 kända klassiska mästerverk" album is number 3 out of 27. On top of that, Germany appears to be the country where this track was created. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno - Instrumental by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosamunde, Op. 26, D.797: Entr'acte No. 3 (Andantino) | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 0 | 6B | 78 BPM | ||
Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | D Minor | 2 | 7A | 75 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM | ||
Hobo Concerto in D minor, Op. 9, N°3: II. Adagio | I Fiamminghi | D Minor | 1 | 7A | 68 BPM | ||
Gold und Silber, Op. 79 | Franz Lehár, Vienna Volksoper Orchestra, Franz Bauer-Theussl | C Major | 1 | 8B | 115 BPM | ||
Chopin: 2 Polonaises, Op. 40: No. 1 in A Major "Military" | Frédéric Chopin, Arthur Rubinstein | D Major | 3 | 10B | 127 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 36 in E Major, Op. 67, No. 6 | Felix Mendelssohn, Péter Nagy | E Major | 0 | 12B | 188 BPM |
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