David Bell's 'On the Edge' came out on January 1, 2006. The duration of On the Edge is about 3 minutes long, at 3:11. Based on our data, "On the Edge" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Song for George". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. On the Edge is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With On the Edge by David Bell having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
An der schönen blauen Donau, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXII. Nacht (II) | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 67 BPM | ||
Concerto for Violin, Organ and Strings in D minor RV541: III. Allegro | David Bell, Yehudi Menuhin | D Minor | 1 | 7A | 125 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Six feet underground | David Bell | G Major | 8 | 9B | 169 BPM |
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