"Inveni David, WAB 20" by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones was released on December 31, 1994. The duration of Inveni David, WAB 20 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Inveni David, WAB 20's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Bruckner: Motets by Anton Bruckner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Inveni David, WAB 20's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inveni David, WAB 20 by Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum ergo, WAB 42 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Mass No. 3 In F Minor, WAB 28: V. Sanctus | Anton Bruckner, Maria Stader, Claudia Hellmann, Ernst Haefliger, Kim Borg, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | D Minor | 1 | 7A | 85 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Symphony No. 3 in D Minor, WAB 103 (First Version, 1873): III. Scherzo. Ziemlich schnell | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | E Major | 1 | 12B | 135 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 82 BPM | ||
Waldmeister: Ouvertüre | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM |
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