Anonymous, Gabriel Fauré, Sam Piha, Martin Vishnik's 'Pavane, Op. 50 (arr. for 2 guitars)' came out on January 1, 2007. The duration of Pavane, Op. 50 (arr. for 2 guitars) is about 3 minutes long, at 3:27. Based on our data, "Pavane, Op. 50 (arr. for 2 guitars)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists, Anton Nanut, Robert Wagner's "Instrumental and Orchestral Music - Bach, J.S. / Mozart, W.A. / Beethoven, L. Van / Faure, G. / Mahler, G. (A Musical Moment)" album is number 5 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Pavane, Op. 50 (arr. for 2 guitars)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pavane, Op. 50 (arr. for 2 guitars) by Anonymous, Gabriel Fauré, Sam Piha, Martin Vishnik to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
Tempo Della Chiesa. Graduale: Ecce Quam Bonum | Canonici Regolari Di Sant'Antimo | A Minor | 0 | 8A | 138 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | F Major | 3 | 7B | 137 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Messa Delli Apostoli: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM |
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