"Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum"" by Codex Calixtinus, Ensemble Organum, Marcel Pérès was released on 2004. Since Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 12 in Compostela "Ad vesperas Sancti Iacobi" by Codex Calixtinus, Ensemble Organum, Marcel Pérès. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum" by Codex Calixtinus, Ensemble Organum, Marcel Pérès is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Urbs Ierusalem | Benedettini Abbazia di San Paolo fuori le mura | F♯ Major | 2 | 2B | 95 BPM | ||
Communion Verse | John Plousiadenos, John M. Boyer, Mark Powell | F Major | 2 | 7B | 80 BPM | ||
Kondak Prespodobnomu Czenice Elisawiete | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 185 BPM | ||
Messe de Notre-Dame: IX. Sanctus | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 2 | 7B | 96 BPM | ||
Messe de Notre-Dame: XI. Communion. Responsum accepit Symeon | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
Graduale – Si ambulem in medio umbrae mortis | Antoine de Févin, Antoine Divitis, Organum, Marcel Pérès | A Major | 2 | 11B | 129 BPM | ||
Blessed is the Man (monody) | Kiev Chamber Choir | F Major | 1 | 7B | 84 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Да исправится молитва моя | St. Peter St. Paul Cathedral Choir of Minsk | B Major | 1 | 1B | 101 BPM | ||
Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 77 BPM |
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