Felicity Lott, Graham Johnson's 'Im Frühling, D. 882' came out on June 15, 2010. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 18 in Felicity Lott sings Schubert Favourites by Felicity Lott, Graham Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Im Frühling, D. 882's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Im Frühling, D. 882 by Felicity Lott, Graham Johnson is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Beethoven: 25 Irish Songs, WoO 152: No. 2, Sweet Power of Song (Andantino grazioso) - for 2 Voices, Violin, Cello and Keyboard | Ludwig van Beethoven, Felicity Lott, Ann Murray, Graham Johnson | C Major | 1 | 8B | 84 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 89 BPM | ||
So we'll go no more a-roving | Maude Valérie White, Felicity Lott, Graham Johnson | F Minor | 1 | 4A | 85 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | E Minor | 0 | 9A | 139 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Zaide; Aria, Ruhe Sanft | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Felicity Lott | G Major | 0 | 9B | 51 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | B Major | 2 | 1B | 175 BPM |
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