"Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat" by Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra had its release date on 2003. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat by Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
String Quartet No. 1, Mvnt. IV. | James William Ricci, QX String Quartet | C Major | 1 | 8B | 174 BPM | ||
It Started in Naples | Sophia Loren | D Major | 5 | 10B | 89 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 4, A tempo. Molto adagio | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
The Tempest: Suite No. 2, Op. 109: IV. Prospero | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | E Major | 0 | 12B | 77 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM |